This sequel is a triumph of production design: Philip Messina's settings are so detailed that they convey how the movie's dystopic U.S. functions beyond the story at hand, and Trish Summerville's costume design shows a similar degree of invention.. Now the violence is not merely physical, but existential. Far from having won her freedom as promised, Katniss is now imprisoned in a false public narrative-supporter of the Capitol, lover of Peeta-from which she may never escape.. The grand climax, w...
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